Monday, September 26, 2016
Thursday, September 15, 2016
The Deplorables
The Pot and the Kettle
race for the
White House
IMAGINE!
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| old friends who seem to know each other only too well |
Tuesday, September 13, 2016
Peopled Spaces (2)
A continuation of Peopled Spaces (1); all photos [except the "airplane artist"] shot in Bali, Indonesia in the Summer of 2016.
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| tourists at Tanah Lot Temple, Tanah Lot, Bali, Indonesia |
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| A Hindu holy man blesses the musicians before a traditional dance performance |
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| cooling off in the water palace gardens |
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| helping an ailing old woman in the Sacred Spring of Tirta Empul Temple, Tampaksiring, Bali |
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| village artist - Thengahnan, Bali |
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| airplane artist - 37,000 ft. over the South China Sea |
Monday, September 5, 2016
Peopled Spaces (1)
In the previous post I linked an article discussing how
people react psychologically to visual spaces. Although the article title
is ”Why Do We Love Images Of
Emptiness?”, the author, Katharine Schwab, points out that if there are people
in the picture, the human eye automatically zeroes in on the people while the
rest of the image may be overlooked. So I purposefully posted only images of
“Empty Spaces”, landscapes and seascapes, in that post.
I do, however, also like to take pictures of people,
especially ones that are not posed. To contrast my “Empty Spaces” I have posted
here only images with people in them. You can test Ms. Schwab’s hypothesis by
monitoring your own reaction to the peopled images by following
the movements of your own eyes.
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| traffic jam in Ubud, Bali, Indonesia |
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| good way to retain a straight posture, Ubud, Bali |
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| roasting Kopi Luwak by hand |
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| sunset glow, Tanah Lot, Bali |
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| two Balinese dancers, Ubud, Bali |
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| man selling coconut milk in the Tagalalang rice terraces, Bali |
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| Hindu temple festival, Lake Bratan, Bali |
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| threshing rice grains by hand in the traditional way - Ubud countryside, Bali |
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| morning offerings of flowers and food just about everywhere - a blessing, Ubud, Bali |
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| restaurant owning couple relaxing before dinner opening, Ubud, Bali |
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| couple silhouetted at sunset, Candidasa, Bali |
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| future traditional Balinese music musicians |
Thursday, September 1, 2016
Empty Spaces
Article: Why do we love empty images?
The following images are without the distracting influence of people within the frame. They are, essentially, images of empty spaces with the shadows or ghosts of humans who may have had an impact on them.
Excerpts from the linked article:
"In a sense, once people are in a shot, we can’t really ‘see’ the place for what it is," says architect Ann Sussman . "Our brain, because of its evolution, will not let us do this."
Sussman and the writer Janice M. Ward set up a pilot study at Boston's Institute for Human-Centered Design that aimed to better understand how people mentally process the world around them. They found that perception is innately "humancentric": When tracking the eye movements of subjects looking at one image of Boston City Hall and its surrounding plaza, they found that people spent more than half of the time allotted to look at the image examining the other tiny, speck-sized human beings rather than the architecture.
The following images are without the distracting influence of people within the frame. They are, essentially, images of empty spaces with the shadows or ghosts of humans who may have had an impact on them.
Excerpts from the linked article:
"In a sense, once people are in a shot, we can’t really ‘see’ the place for what it is," says architect Ann Sussman . "Our brain, because of its evolution, will not let us do this."
Sussman and the writer Janice M. Ward set up a pilot study at Boston's Institute for Human-Centered Design that aimed to better understand how people mentally process the world around them. They found that perception is innately "humancentric": When tracking the eye movements of subjects looking at one image of Boston City Hall and its surrounding plaza, they found that people spent more than half of the time allotted to look at the image examining the other tiny, speck-sized human beings rather than the architecture.
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